Day 1
James Melrose (Clapper DIT) proudly shows off the day 2 slate. Already on Slate 60. Amazing progress.
First Assistant Director James Nunn proudly shows off the Day 3 slate, already on slate 82! Amazing.
Director Jonathan Glendening proudly holds up the SLATE 100! After only 4 days!
Director of Photography David meadows proudly holds up the Day 4 - End of Day slate. 112!
Director Jonathan Glendening vents his fury at an actor.... he literally tore his head off.
Script Supervisor Kate Angelou 'marks' the occasion.
Director Jonathan Glendening contemplates the next shot.
Emergency D.P Tom Turley celebrates a successful end of day at Slate 170! Wow.
The production moved into an East Croydon lap dancing bar, and Tim Jordan marks the end of day with slate 194!
Director Jonathan Glendening with Martin Kemp who guests as a opening scene werewolf. Martin was an uncredited producer and also directed an additional scene for the film starring Lucy Pinder. Nuts magazine did an interview with him and fortunately credited him with directing the whole film and Jonathan didn't even get a mention.
A dummy of Martin Kemp with a silver pen in the eye. Director Jonathan Glendening (seated) reviews his shot list.
Art Director Neal with the Day 7 slate, already the tally is an amazing 243!
The fantastic Barbara Nedeljakova and the wonderful Ali Bastian, troopers to the end. Smiling despite the workload, already on slate 278!
Director Jonathan Glendening, Ali Bastian and Marc Bayliss in full make up!
349! A lovely cameo by this entrancing actress Hannah Greeno
Sound recordist Marc holds the epic Slate, 317 slates in 10 days. Amazing!
Gaffer Adam Bell holds the slate marking 414 Slates!
Coralie Rose and Jonathan Glendening working hard on set.
Barbara Nedeljakova being directed by Jonathan Glendening in the finale.
Ali Bastian, Jonathan Glendening and Adele Silva in full make up in 'Vixens'.
Assistant Art Damien - with the Day 15 Clapper. 448 Slates.
Sarah Douglas sportingly wearing a bedraggled look holds the end of day Clapper. - 481!
498! Held by the steadicam guy who did the epic opening shot of the nightclub.
Coralie Rose gets the honour with a visiting guest star Dominic Burns.
527 Slates! Celebrated by Guest Star Dominic Burns, Director Jonathan Glendening and the legendary Alan Ford.
Producer and Star Billy Murry in the prison set, celebrates the end of the Robert Englund scene - Slate 552. Wow.
Steven Berkoff sportingly did his day on set and celebrates surviving it with director Jonathan Glendening.
Jazz Lintott marks his special appearance by holding the end of day clapper board 571! It was a tough day but he was fantastic as can be seen in the directors cut.
595! Clapper DIT, James Melrose gets the nod.
A happy boom man and his victim.
Charlie Bond celebrates her unexpected larger role with the end of day Clapper 654!
Director Jonathan Glendening on a night shoot.
James Nunn (1st AD) celebrates the end of a hard night shoot on what was also his last day with the production.
David Meadows sadly had to leave for Top Gear (I think) - and so we had replacement D.P Bob Komar. Slate 696
Co-producer Patricia Rybarczyk and Marc Bayliss (without make up) celebrate the end of the night shoot. Slate 719!
Alex Esmail and Kieran Cox celebrate the last slate of the whole shoot. 748!
Director Jonathan Glendening ends his involvement with the production with the last slate - 748 -. Amazing.
Jonathan Glendening with Barbara Nedeljakova at the wrap party. The shoot finished around 5am that day, before the party in the evening, hence Jonathan's tired look.
The un-submitted directors cuts.
Filmed in a day in a small pub painted with a white interior when the script read 'Large Dark Warehouse' - we wasted a lot of time just trying to work out how to stage a scene as close to 'as written' but in a completely unsuitable environment. Throw in prosthetics, gun-fire and other complications it was a hard day! However, Stephen Berkoff was a joy to work with and took the days problems with good grace.
Filmed in an afternoon in a central London location, the directors cut of scene 132b.
Brilliant art work by Dave Slaney
Brilliant design by Dave Slaney
13hrs Art Director Will Randall did this for Jonathan
I really liked this partly because of the 'aged' era look, it sort of made it look a tad Ripper Street - which we definitely were not doing.
Effective and to the point poster - only disregarding the fact the girls are never armed in the film, but that really doesn't matter. Unbelievable poster quotes... no really... unbelievable.
This picture borrowed from Dread Central shows the 'award winning' poster of the market (American Film Market) - notice too... the subtle deletion of Billy Murray's name to be Bill Murray.
